ARTIST:

John Stezaker

Marriage (Film Portrait Collage) XLV
John Stezaker
He (Film Portrait Collage) III
John Stezaker
He (Film Portrait Collage) III
John Stezaker
Old Mask VII
John Stezaker
Old Mask I
John Stezaker
Marriage I
John Stezaker
Marriage (Film Portrait Collage) XXVII
John Stezaker
Old Mask II
John Stezaker
Old Mask VI
John Stezaker
Old Mask VIII
John Stezaker
She (Film Portrait Collage) III
John Stezaker
He (Film Portrait Collage) III
John Stezaker
Untitled XXII
John Stezaker
Shadow IV
John Stezaker
Shadow X
John Stezaker

John Stezaker’s work re-examines the various relationships to the photographic image: as documentation of truth, purveyor of memory, and symbol of modern culture. In his collages, Stezaker appropriates images found in books, magazines, and postcards and uses them as ‘readymades’. Through his elegant juxtapositions, Stezaker adopts the content and contexts of the original images to convey his own witty and poignant meanings.
In his Marriage series, Stezaker focuses on the concept of portraiture, both as art historical genre and public identity. Using publicity shots of classic film stars, Stezaker splices and overlaps famous faces, creating hybrid ‘icons’ that dissociate the familiar to create sensations of the uncanny. Coupling male and female identity into unified characters, Stezaker points to a disjointed harmony, where the irreconciliation of difference both complements and detracts from the whole. In his correlated images, personalities (and our idealisations of them) become ancillary and empty, rendered abject through their magnified flaws and struggle for visual dominance.
In using stylistic images from Hollywood’s golden era, Stezaker both temporally and conceptually engages with his interest in Surrealism. Placed in contemporary context, his portraits retain their aura of glamour, whilst simultaneously operating as exotic ‘artefacts’ of an obsolete culture. Similar to the photos of ‘primitivism’ published in George Bataille’s Documents, Stezaker’s portraits celebrate the grotesque, rendering the romance with modernism equally compelling and perverse.

Sense II
John Stezaker
Fold X
John Stezaker
Visitation
John Stezaker
Shadow VI
John Stezaker
Marriage VIII
John Stezaker
Marriage I
John Stezaker

John Stezaker’s work re-examines the various relationships to the photographic image: as documentation of truth, purveyor of memory, and symbol of modern culture. In his collages, Stezaker appropriates images found in books, magazines, and postcards and uses them as ‘readymades’. Through his elegant juxtapositions, Stezaker adopts the content and contexts of the original images to convey his own witty and poignant meanings.

In his Marriage series, Stezaker focuses on the concept of portraiture, both as art historical genre and public identity. Using publicity shots of classic film stars, Stezaker splices and overlaps famous faces, creating hybrid ‘icons’ that dissociate the familiar to create sensations of the uncanny. Coupling male and female identity into unified characters, Stezaker points to a disjointed harmony, where the irreconciliation of difference both complements and detracts from the whole. In his correlated images, personalities (and our idealisations of them) become ancillary and empty, rendered abject through their magnified flaws and struggle for visual dominance.

In using stylistic images from Hollywood’s golden era, Stezaker both temporally and conceptually engages with his interest in Surrealism. Placed in contemporary context, his portraits retain their aura of glamour, whilst simultaneously operating as exotic ‘artefacts’ of an obsolete culture. Similar to the photos of ‘primitivism’ published in George Bataille’s Documents, Stezaker’s portraits celebrate the grotesque, rendering the romance with modernism equally compelling and perverse.

Marriage (Film Portrait Collage) XXXI
John Stezaker
Marriage (Film Portrait Collage) XXXI
John Stezaker
Old Mask II
John Stezaker
Old Mask II
John Stezaker
Marriage IV
John Stezaker
Marriage IV
John Stezaker
Marriage (Film Portrait Collage) XXVIII
John Stezaker
Marriage (Film Portrait Collage) XXVII
John Stezaker
Old Mask I
John Stezaker
Old Mask I
John Stezaker
Blind I
John Stezaker
Mask CII
John Stezaker
Marriage VIII
John Stezaker
Untitled XXVI
John Stezaker
Marriage (Film Portrait Collage) XXXI
John Stezaker
Marriage (Film Portrait Collage) XXVIII
John Stezaker
Marriage (Film Portrait Collage) XLV
John Stezaker
Blind I
John Stezaker
Fold X
John Stezaker
Old Mask III
John Stezaker
Old Mask V
John Stezaker
Mask XXIX
John Stezaker
He (Film Portrait Collage) II
John Stezaker
Marriage L
John Stezaker
Shadow IV
John Stezaker
She (Film Portrait Collage) V
John Stezaker
Mask C
John Stezaker
Old Mask IV
John Stezaker
Shadow IV
John Stezaker
Mask CII
John Stezaker
Mask CII
John Stezaker

Text by William A Ewing

Shadow VI
John Stezaker
Shadow VI
John Stezaker
Shadow VI
John Stezaker
Sense II
John Stezaker
Untitled XXVI
John Stezaker
Untitled XXVI
John Stezaker
Untitled XXII
John Stezaker
Untitled XXII
John Stezaker
Visitation
John Stezaker
Visitation
John Stezaker
She (Film Portrait Collage) V
John Stezaker
Mask C
John Stezaker
Mask C
John Stezaker
She (Film Portrait Collage) III
John Stezaker
She (Film Portrait Collage) III
John Stezaker
She (Film Portrait Collage) III
John Stezaker
Marriage L
John Stezaker
Marriage L
John Stezaker
He (Film Portrait Collage) II
John Stezaker
He (Film Portrait Collage) II
John Stezaker
Mask XXIX
John Stezaker
Mask XXIX
John Stezaker
Old Mask VIII
John Stezaker
Old Mask VIII
John Stezaker
Old Mask VII
John Stezaker
Old Mask VII
John Stezaker
Old Mask VI
John Stezaker
Old Mask VI
John Stezaker
Old Mask V
John Stezaker
Old Mask V
John Stezaker
Old Mask IV
John Stezaker
Old Mask IV
John Stezaker
Old Mask III
John Stezaker
Old Mask III
John Stezaker
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