It is for these kinds of assemblages exploring the tension between open and precise meaning that Genzken is best known. As she says, ‘There is nothing worse in art than, “you see it and you know itâ€â€¦ That’s a certainty I don’t like.’
It is for these kinds of assemblages exploring the tension between open and precise meaning that Genzken is best known. As she says, ‘There is nothing worse in art than, “you see it and you know itâ€â€¦ That’s a certainty I don’t like.’
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