In Meyerson’s installation, images from movies, video games, television news and sports channels, advertisements, computer graphics, books, and magazines collide in a chaotic and bewildering narrative filtered through the artist’s individual psychology. A self-confessed visual junkie, he invites the viewer to take a dizzying rollercoaster ride through a series of personal and impersonal experiences. The individual canvases, whose precise configuration is intended to be largely spontaneous, form temporary associations, blurring the line between conscious and unconscious. Painting itself is intended to be the primary experience, both for the viewer, who struggles to make sense of a barrage of vividly distorted visual imagery, and the artist, who experiments with numerous different techniques to apply paint to his canvases.