Rather, her work seems both dominant and not, confrontational and self-effacing. Forms that nod to the human body, their titles (Recliner, Ottoman, Posturing) implying physical confidence and relaxation, contain contradictions.
Rather, her work seems both dominant and not, confrontational and self-effacing. Forms that nod to the human body, their titles (Recliner, Ottoman, Posturing) implying physical confidence and relaxation, contain contradictions.
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