Making the most of embarrassment, Robert Melee’s Self Portrait encapsulates all the cringe-worthy sentiments of family photography. Inlaid within a multi-window frame, the same image of Melee’s face is replicated in each space: dull-eyed, bad haircut, painstakingly self-conscious. Reminiscent of Warhol’s multiples, Melee offers his portrait as both icon and keepsake, magnifying the nakedness of personal disclosure as a generic and empty sentiment.