ARTIST:

Idris Khan

Idris Khan
Every...Bernd And Hilla Becher Gable Sided Houses, 2004
Photographic print
208 x 160 cm

Since 1959 Bernd and Hilla Becher have been photographing industrial structures that exemplify modernist engineering, such as gas reservoirs and water towers. Their photographs are often presented in groups of similar design; their repeated images make these everyday buildings seem strangely imposing and alien. Idris Khan’s Every... Bernd And Hilla Becher... series appropriates the Bechers’ imagery and compiles their collections into single super-images. In this piece, multiple images of American-style gabled houses are digitally layered and super-imposed giving the effect of an impressionistic drawing or blurred film still.

Idris Khan
The Creation, 2009
Lightjet print mounted on aluminium
183 x 305 cm

Idris Khan
Every...Bernd And Hilla Becher Prison Type Gasholders, 2004
Photographic print
208 x 160 cm

The structures in the Bechers’ original photographs are almost identical, though in Khan’s hands the images’ contrast and opacity is adjusted to ensure each layer can be seen and has presence. Though Khan works in mechanised media and his images are of industrial subjects, their effect is of a soft ethereal energy. They exude a transfixing spiritual quality in their densely compacted details and ghostly outlines. ...Prison Type Gasholders conveys a sense of time depicted in motion, as if transporting the old building, in its obsolete black and white format, into the extreme future.

Idris Khan
Every...Bernd And Hilla Becher Spherical Type Gasholders, 2004
Photographic print
208 x 160 cm

The Bechers took their photos as a means to document a disappearing tradition; by grouping them according to ‘typology’ the buildings’ designs function like archetypal symbols or an architectural language. Through Khan’s translucent aggregations, structures such as ...Spherical Type Gasholders lose their commanding simplicity and rigid formalism and descend into fractured and gestural blurs. Through his photographs Khan compresses the timeline of repetition into indivisible subsuming moments and creates a poetic mutability from the fixed codes of history.
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Thursday, 26 November 2020: COVID-19 / CORONAVIRUS UPDATE:

Following the UK Government’s latest announcement placing London in Tier 2, Saatchi Gallery will re-open from Wednesday, 9 December 2020. We will re-open with our free entry Ground Floor exhibitions (Philip Colbert: Lobsteropolis and Antisocial Isolation) from December 9. The new dates for our next headline exhibition JR: Chronicles will be announced shortly.

Government guidelines on health and safety measures will remain in effect, including social distancing within a one-way system in our galleries, the provision of hand sanitising stations, and the wearing of face coverings by visitors and staff. All visitors are encouraged to pre-book their tickets prior to entry.

We look forward to welcoming you back soon.