Molly Larkey’s The Revolutionary playfully incorporates elements of formalist abstraction with its symbolic subject matter. Constructed from a variety of materials, Larkey gives her sculpture a rainbow treatment of brightly coloured paint, each rough hewn component compiling as a topsy-turvy monument, inciting both Modernist art history and hippie psychedelia. With her theatrical assemblage, Larkey frames these disparate ideas as humorously dysfunctional; relating the dynamics of power with the festivity of grass roots endeavour.