Systems House draws equally from artistic traditions such as minimalism, and outdated 20th century technology design. His sculptures evoke an obsolete futurism: a fated utopian belief in progress and its dark Orwellian insinuations. Perched like an elaborate TV antennae or broadcast tower model, Radial Construction In Space II encapsulates these associations in a seductive and fetishistic object. Its domestic proportions and tastefully coloured panels transplant ideas of supremacy and control into the realm of consumerism and lifestyle.
artin Fletcher’s pseudonym Systems House sounds more like an IT corporation or online security company than a lone artist; this inference of anonymous power is inherent to his work. System House’s sculptures draw similar connotations to communication and surveillance technologies. Single Screen Wall Mounted Construction I looks like a monitor or solar panel, and is made from two-way mirror. Its sleek design is both elegant and sinister, and places viewers in a position of uncertainty: are you watching or being watched?