Thomas Houseago

Thomas Houseago
Untitled (Folded man red stomach), 2000
Plaster, jute, iron rebar
190 x 110 x 75 cm

Thomas Houseago
Joanne (6 views), 2005
plaster, hemp, steel, graphite
124.5 x 58.4 x 86.4 cm

Thomas Housago’s work playfully subverts the expectation of sculpture. Drawing reference to a multitude of styles such as Classicism, Cubism, and Futurism, Houseago’s intentionally clumsy forms trade the imperious and enduring qualities of traditional bronze or marble for the humble aesthetic of plaster and various found materials. Lacking the weighty physical stature associated with three dimensional media, Houseago’s ‘monumental’ structures appear almost comically flimsy, reducing the grandiose weight of art history into sympathetic effigies.

Thomas Houseago
Folded Man (and 4 detail shots), 1997
plaster, jute, inox
220 x 110 x 80 cm

Houseago’s subjects lean to the figurative and mythological; bordering on abstraction, their rough hewn and incomplete forms both disclose their process of making and a sense of relational humility. Folded Man, a clunky semblance of a figure made from plaster-soaked jute wrapped over a skeletal support stands as an abject tribute to Boccioni; while Joanne, an emaciated rabbit, grimaces under floppy ears. Constructed from plaster-coated iron with a delicate sketch of a figure on its side, the animal’s painfully flat body is exaggerated as both object and surface, an insubstantial vessel for spiritual manifestation. Similarly, Caryatide With Squatting Man plays upon the devices of representation to create diverse meaning: placed on a makeshift plinth to elevate its importance, Houseago’s elaborate column serves to support a hollow sheath of a figure posed in an act of desecration.

Thomas Houseago
Caryatide with Squatting Man (and details), 2000
wood, plaster, iron, jute
300 x 90 x 40 cm

Throughout Houseago’s work lies an engagement with hierarchical considerations of visual form and their associated values. Challenging these preconceptions through making and content, Houseago creates his own alternative ‘histories’, reflective of a more intimate and empathetic narrative.

Thomas Houseago
Figure 2, 2008
Wood, graphite, oil stick, tuf-cal, hemp, iron rebar
228.6 x 83.8 x 134.6 cm

Thomas Houseago
Figure 1 (and 2 details), 2008
Wood, graphite, tuf-cal, hemp, iron, oil stick
221 x 221 x 132.1 cm


Thursday, 26 November 2020: COVID-19 / CORONAVIRUS UPDATE:

Following the UK Government’s latest announcement placing London in Tier 2, Saatchi Gallery will re-open from Wednesday, 9 December 2020. We will re-open with our free entry Ground Floor exhibitions (Philip Colbert: Lobsteropolis and Antisocial Isolation) from December 9. The new dates for our next headline exhibition JR: Chronicles will be announced shortly.

Government guidelines on health and safety measures will remain in effect, including social distancing within a one-way system in our galleries, the provision of hand sanitising stations, and the wearing of face coverings by visitors and staff. All visitors are encouraged to pre-book their tickets prior to entry.

We look forward to welcoming you back soon.