Tal R’s continuous use of a solid band across the bottom of his paintings gives citation to the framing of TV screens; the space above becomes an interchangeable place for action, where images can be substituted like channel surfing. In Fungusia, Tal R imports a trippy spiral of magic mushrooms. Hypnotically mesmerising, his suggestive forms and putrid colours play dizzying tricks of perspective, oozing sickly in their phallic reference.