Gordon admits that the complex assemblages he constructs from stacks of old magazines and internet downloads may also, once he looks through the lens, amount to no more than that lifeless, “shredded cardboardâ€.
Gordon admits that the complex assemblages he constructs from stacks of old magazines and internet downloads may also, once he looks through the lens, amount to no more than that lifeless, “shredded cardboardâ€.
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