Adam Cvijanovic doesn’t work from photographs, his invented compositions arise from the familiarity of internalised images. Using the same subject matter as Sassy Sally, Show Boat renders a smaller version of fairground aftermath. Painted in oil on board, Cvijanovic offers surrealism with a fixed visual logic. Set in a nowhere landscape, his festival remnants are made monolithic, each creating a sense of heightened spatialawareness via multiple vanishing points and extreme perspective. Rendered with the faded tones of American nostalgia, Cvijanovic envisions a ghost town of bygone delights and tawdry amusement.