Tal R’s Tomland is a splendour of visual confusion, where colours and forms float in and out of focus. He paints space in the most topsy-turvy way: where distance is readily accepted as ‘large’ and ‘small’ and a dozen pure hues join forces to become one indestructible mass. The vibrancy of Tal R’s painting only works as a whole, but it is almost too much to be absorbed. He offers a domino effect of perception: any hope of escapism is immediately brought back to the surface each and every time.