Presented in collaboration with Long & Ryle, The Thread of Colour is a celebration of the life and work of Armenian-American artist Maro Gorky (b. New York 1943).
The exhibition features a selection of important oil paintings spanning her career as an artist from the 1980s to the present day. Subject matter includes Gorky’s family, the Tuscan home she has lived in with her sculptor husband Matthew Spender since the 1960s, and landscapes from the Sienese countryside and beyond.
It includes two large-scale landscapes, Autumn Vines (2025) and Spring Vines (2025). These ambitious works, only recently completed with the last strokes being added just in time for the show, demonstrate that Maro Gorky, in her eighties, remains as powerful and prolific a painter as she was in her twenties.
An accompanying exhibition Maps of Feelings opens at Long & Ryle from 12 March – 2 May 2025, and features a selection of Gorky’s works on paper, an important element of her artistic practice.
About
Prior to becoming a painter, Gary Bunt spent many years working on building sites throughout Kent and Sussex, surrounded by his family. He describes the days as long and hard, but full of laughter, loyalty, respect and love. Gary fondly recalls the moments he spent with his dad and seven uncles, and whilst packed into cars on cold winter mornings, longed for spring to arrive. It was in reminiscing about these moments, hearing the laughter and wise advice, he felt inspired to create a work based on old sayings. In this exhibition, Marrows, Spuds & Onions, Gary Bunt presents a new selection of works.
About
Due to the popularity of this exhibition, pre-booking is strongly advised. Visitors are welcome to turn-up on the day, but may be turned away once the capacity for each ticket session is reached.
Flowers have, throughout history, inspired artists, writers and creatives. FLOWERS – FLORA IN CONTEMPORARY ART & CULTURE seeks to reveal the myriad ways that flowers continue to be depicted by artists and their omnipresence within our contemporary culture. Occupying two floors and over nine major gallery spaces, this exhibition features large-scale installations, original art, photography, fashion, archival objects and graphic design exploring the ongoing influence of flowers on creativity and human expression.
Aside from studies of their inherent beauty and drama, flowers are also utilised as symbols, signifiers or metaphors for human emotions and impulses. Flora lies at the heart of myths and stories that inform our cultural outlook and language. Recognised as unparalleled objects of beauty in nature, artists continue to evoke the power and beauty of flora to convey a multitude of messages and meanings.
Over 500 unique artworks and objects are on display throughout the exhibition, divided into nine sections – from Roots, In Bloom, Flowers and Fashion,Science: Life & Death, to New Shoots – each exploring different creative themes and media.
One room is entirely devoted to a bespoke installation piece by Rebecca Louise Law, made up of over 100,000 dried flowers, while another is transformed into a digital projection space featuring interactive work of the pioneering French artist Miguel Chevalier.
Curatorially, sections of the exhibition involve collaborations with institutions and designers such as Marimekko. The project partner for a presentation of photographic works from Flora Imaginaria, curated by Danaé Panchaud and William Ewing, is the Foundation for the Exhibition of Photography (FEP).
Featured artists include: Cristina Alcantara, Pedro Almodóvar, Nobuyoshi Araki, Nick Archer, Gillian Ayres, Jessica Backhaus, Mandy Barker, Brendan Barry, Susan Beech, Valérie Belin, Andy Bettles, Elizabeth Blackadder, John Blakemore, Jean Baptiste Bosschaert, Faye Bridgwater, Orlanda Broom, Buccellati, Olga Cafiero, Ann Carrington, Rob & Nick Carter, Miguel Chevalier, Christo, Philip Colbert, Lottie Cole, Stephanie Comilang, Sharon Core, Michael Craig-Martin, Reuben Dangoor, Lia Darjes, William Darrell, Tom de Houwer, Richard de Tscharner, Elspeth Diederix, Jim Dine, Nathalie Djurberg & Hans Berg, Ron van Dongen, Xuebing Du, Elaine Duigenan, Pamela Ellis Hawkes, Ruud van Empel, Joanna Epstein, Mary Fedden, Robert Frank, Anne von Freyburg, Erwan Frotin, Adam Fuss, Matthieu Gafsou, Kate Gibb, Grace Gillespie, Sky Glabush, Daniel Gordon, Maro Gorky, Roberto Greco, Jo Grogan, Anna Halm Schudel, Joanna Ham, Rose Electra Harris, Dan Hays, George Henry, Realf Heygate, Damien Hirst, Aimée Hoving, Gary Hume, Florence Hutchings, Mila Ilingina, Yinka Ilori, Michelle Jung, Nadav Kander, Heath Kane, Sandra Kantanen, Alex Katz, Neil Kellerhouse, Rob Kesseler, Nick Knight, Kior Ko, Jan Sebastian Koch, Irene Küng, Yayoi Kusama, Wole Lagunju, Caroline Larsen, Rebecca Louise Law, David Lebe, Laura Letinsky, Kathrin Linkersdorff, Brigitte Lustenberger, Mari Mahr, Martin Maloney, Ann Mandelbaum, Tony Matelli, Margaret Mellis, Sophie Mess, Ally McIntyre, Anastasija Michailova, Andrew Millar, Banita Mistry, Carmen Mitrotta, Abelardo Morell, William Morris, Alphonse Mucha, Vik Muniz, Galina Munroe, Takashi Murakami, Winifred Nicholson, Jesse Pollock, Janet Pulcho, Stormy Pyeatte, Marc Quinn, Dan Rawlings, Marcel Rickli, Catriona Robertson, Almudena Romero, Paul Rousteau, Andrew Salgado, Frederick Sander, Viviane Sassen, Thirza Schaap, Schiaparelli, Helene Schmitz, Martin Schoeller, Megan Seiter, Amy Shelton, Ann Shelton, David Shrigley, Niki Simpson, Chieska Smith, Paul Anthony Smith, Leonard “Soldier” Iheagwam, Rudolf Steiner, Holly Stevenson, Florent Stosskopf, Daniel The Gardener, Rebecca Thomas, Mimei Thompson, Miriam Tölke, VOYDER, Robert Walker, Tim Walker, Tom Wesselmann, Vivienne Westwood, Jo Whaley, Jess Wilson, Emma Witter, Kasia Wozniak, Nadirah Zakariya, Christina Zimpel, Victoria Zschommler, Andrew Zuckerman
Curatorial project partners include: Chelsea Physic Garden, Cinema Poster Gallery, The Foundation for the Exhibition of Photography (FEP), Marimekko, Mary Quant Limited, Sanderson Design Group including Morris & Co., William Morris Gallery
Supported by
Project partner
This spring, join us for art after dark!
On selected Fridays, Saatchi Gallery LATES will offer workshops, guided classes and creative activations along with access to all two floors and nine major gallery spaces of FLOWERS – FLORA IN CONTEMPORARY ART & CULTURE; featuring large-scale installations, original art, photography, fashion, archival objects and graphic design.
Drawing classes, workshops and creative activations, with basic materials and guidance from the Learning Team provided, plus special guests
Dates and details below:
28 February: Garden to Garment
Tattooed Life Drawing with our Learning Team
For this session, tattooed models Musa and Aura will show off their amazing body art for participants to respond to through drawing. These poses will be held for both short and long periods, with direction and support provided by the Saatchi Gallery Learning team. Open to all levels, materials will be provided for those attending.
Susan Beech: A Petal Unfolds – Paper Flower Making Workshop
Susan Beech is a paper artist and founder of A Petal Unfolds, specialising in the making of paper flowers and botanicals. In this drop-in paper flower workshop, you will explore working with premium crepe paper and be guided by Susan through some of the techniques of making your own beautiful paper poppy. These unique pieces will be cut, intricately manipulated, folded, cut and stretched to create realistic, complex botanical forms, encompassing the gestures and essence of the plant’s individuality.
Join British independent and sustainable brand Floral Street fragrances for a Scentschool™ masterclass with Founder Michelle Feeney. During the session you will learn fun-facts about their fine fragrances, explore the science behind the scents and smell sustainably sourced hero ingredients. All in a fun-filled Floral Street way and powered by flowers.
In this workshop participants will move away from representation, engaging in painting and drawing to connect with their surroundings. The session begins with guided drawing to breathing, before moving to produce small paintings in response to sound, smell and touch. It will culminate in a large-scale group collaborative drawing on a giant roll of paper. The workshop is drop-in and all materials are provided.
Wire & Wildflowers
Join Leanne Tiley from Wire & Wildflowers for a relaxed workshop where you’ll create your own wire flower. Taking inspiration from your surroundings of FLOWERS, you will be guided in the process whilst having the freedom to choose colours and design. Leanne will support you throughout, and for those looking for a challenge, help you add your name to your personalised piece of art. All materials are provided for you to create and take home a unique flower made by you.
28 March: Pop Art & Printmaking – A Spring Celebration
11 April: Beyond the Bloom
2 May: Botanical Bodies
Themes and activities will include Valentine’s Day love letter writing, a LFW-inspired block printing workshop, Pop Art printmaking sessions, costumed life-drawing, and a tarot card reading class. Check back soon for more info!
About
POST//FUTURE is an exhibition that explores the consequences of unchecked progress in a fractured and fragile world.
This heterogenous collection features works that delve into the haunting potentialities of the future—visions shaped by the inability or unwillingness to address urgent issues in the now. Creating allusions to iconic works of speculative literature and film—such as George Orwell’s 1984, Aldous Huxley’s Brave New World, Margaret Atwood’s The Handmaid’s Tale—this exhibition explores not just the future, but our present moment.
The exhibition features a diverse range of media, from conceptual art and photography to installations and multimedia. Each piece invites viewers to contemplate the consequences of societal complacency and unaddressed change. The works showcase various interpretations of a fractured present, and a fragile future. The artists, using metaphor, allegory, and raw imagery, challenge us to reflect on our choices today, as these echoes of tomorrow may soon become reality.
Curated by Benjamin Murphy and Nick JS Thompson of Delphian Gallery, POST//FUTURE presents a thought-provoking dialogue about the fragility of our future. It underscores the urgency of action—whether in politics, technology, social justice, or environmental conservation—before we fall into a world shaped by the mistakes we refuse to acknowledge today.
About
BLAST showcases new works by Dominic Beattie as the artist explores materiality in painting with a view to creating a new visual language inspired by 20th Century geometric abstraction.
Dominic Beattie is an abstract painter, sculptor and curator who lives and works in London and Spain. His work is based upon Modernist principles, specifically ideas of innovation and experimentation with abstraction, and an emphasis on materials, techniques and processes. Beattie’s current output is concerned with the development of unique patterns and an exploration into the materiality of painting. Beattie has recently exhibited his work at Saatchi Gallery, The Royal Academy, JGM Gallery and Fold Gallery. In 2023 he won a prize in the Otero Baena painting competition in Bueu, Galicia and in 2015 he won the UK/Raine prize for painting.
Narratives of Identity brings together the work of four recent art graduates: Qinyao Dai, Hsin Hwang, Shayla Marshall and Jahnvi Singh, whose art delves into the intricacies of identity, storytelling, and narrative. Each artist explores these themes through unique perspectives and media, weaving personal and collective experiences into compelling visual and conceptual forms.
Through painting, sculpture, photography, and mixed media, these four artists invite us to examine how our personal narratives and histories can shape our understanding of the self and society. Their works reflect on the multifaceted nature of identity, highlighting the intersections of culture, memory, and belonging.
In this space, narratives unfold — some intimate and autobiographical, others expansive and universal — encouraging viewers to consider their own roles as storytellers and participants in the ongoing dialogue of identity. Together, these artists demonstrate the power of contemporary art in capturing the complex stories that define who we are and how our journeys continue to grow.
Good Eye Projects is an artist residency programme founded in 2022.
Embodying the artist-led ethos and community orientation of London’s vibrant emerging and early-career art scene, GEP hosts three residency iterations per year at their West London location, providing six artists per edition with free studio space in which to create. Alongside, GEP organises regular studio visits with insightful industry professionals; gallery visit days to some of London’s most exciting small and mid-sized spaces; and end-of-residency exhibitions to spotlight each artist’s output.
Artists for GEP’s Summer and Autumn residencies are selected via a free-to-enter Open Call process, moderated by a panel of art-world insiders. The Spring iteration features selected artists as part of GEP’s gallery collaboration initiative, with artists previously invited on behalf of Pipeline, Soup, Sherbet Green, Night Café, PM/AM, San Mei and curator Josephine-May Bailey.
Since launching, GEP has supported over 40 artists, and has presented off-site collaborations with Christie’s and Collective Ending HQ. GEP is now pleased to present a group exhibition of the artists included on their Autumn 2023, Spring 2024 and Summer 2024 residency iterations at Saatchi Gallery.
Good Eye Projects Artistic Director: Anna Woodward (Artist & Organiser)
Good Eye Projects Business Development Director: Scott Franklin (Art Collector & Founder of Property Guardian Protection LTD)
Good Eye Projects Selection Panel: Hector Campbell (Co-Founder & Director, Soup Gallery) Marie-Claire Thijsen (Head of Sale & Associate Specialist, Post-War & Contemporary Art, Christie’s)
About
BEERS London presents Barndommens Drømme (Childhood Dreams) by Jack Kabangu in collaboration with Saatchi Gallery. Here the African/Danish artist explores the inaccuracy of memory and the opacity of dreams.
Kabangu’s work is naturally investigative of psychological states, which is countered by his gutsy, gestural, freeform approach to artmaking. With his instantly recognizable style and a recurrent face/visage motif, Kabangu’s work is meant to speak to inexpressible desires and primordial human emotions.
For millennia, artists and thinkers have explored similar themes. Herodotus wrote about dreams; the ancient Greeks believed dreams foretold the future; and the history of art is populated with centuries of religious paintings (be they interpreted literally or metaphorically); to the Surrealists who preoccupied themselves with the subconscious.
Kabangu is similarly keen to investigate this illusory world. His richly applied surfaces suggest his desire to “go back in” and re-evaluate psychological states that fall outside of language or representation. Through his deep hues and surprising colour schemes, as well as his technique, which adopts a rigorous and impasto approach, we can almost sense Kabangu’s desire to plunge back into a fantastical world to illuminate his waking practice.
Presented by BEERS gallery.
About
BEERS London presents A Moment to Myself, a solo exhibition by Nigerian artist Deborah Segun in collaboration with Saatchi Gallery, which questions how the internal self reflects the natural world.
“I began listening to how I responded to nature,” she writes, “and used that to create harmony between environment, body, and a further understanding of myself.”
Consideration of ‘self’ in relation to nature has been an enduring theme, but it wasn’t until the German Romantic movement of the late 18th century, along with the invention of modern philosophy that these ideas gained traction. While we may innately know exposure to the natural world is beneficial, modern research is constantly proving its positive effects on our creative, physical, and empathetic selves.
For Segun, the natural and the bodily have coalesced. “Mother Earth” becomes anthropomorphized: a restful body suggests a curving hillock; a sharp limb refers to our difficult terrain; a peaceful colour scheme alludes to sensations we experience before bodies of water. The works present quietude, joy, and even melancholy, as Segun invites us for a moment of mindfulness and reflection.
For more information on how we store and use your data please view our privacy policy here. You can unsubscribe from our newsletters at any time by clicking on the links below the emails we send you.
Essential Information Before Your Visit: Click Plan Your Visit for full information on upcoming closures.
Register for email updates Be the first to hear about the latest Saatchi Gallery exhibitions, events, offers and news
