About

This free-to-enter exhibition celebrates the life and work of a relatively unknown artist, George Westren. The show represents a positive outcome to a emotive story that gained worldwide news attention in the summer of 2022.

In June 2022, George Westren became the unlikely subject of a viral news story reported by TV, radio and print media across the world. Westren, a relatively unknown artist living in a tiny housing association flat in Spitalfields, East London, had sadly died in July 2021 during the UK’s Covid lockdown. A year later, in June 2022, a neighbour stepped in to prevent George’s portfolio of intricate op art drawings from being destroyed by a home clearance firm. The artwork went viral on Twitter where Westren’s story – of humble beginnings, homelessness, addiction and eventual salvation through art – touched hundreds of thousands of people.

Funds raised through the sale of a small run of prints helped to preserve, catalogue and exhibit Westren’s artwork. The exhibition is curated by Alan Warburton, the neighbour who rescued the works. Saatchi Gallery are pleased to have the support of George Westren’s family in showcasing this selection of works that represent twenty years of dedicated endeavour.

As Westren himself said, making these intricate designs kept him ‘on the straight and narrow’ after many years struggling with addiction and homelessness. The artist designed and executed his work in a straightforward way: patiently plotted with compass point, ruler and pencil, then inked with felt tip pens on standard cartridge paper. Initially inspired by the work of Bridget Riley in 1999, Westren embarked on his own creative journey over the next 20 years, beginning with simple ‘tunnel’ designs, through which he ventured towards his own distinct motifs and techniques.

His pulsating stars, battling chevrons, interlocking spears and protruding 3D edges hover between subtle op art illusion and muscular, graphical clarity; all the more impressive that he worked alone, without formal art training, producing a steady sequence of work that so clearly demonstrates a precise understanding of contrast, depth and optical effects.

Westren’s love for art took him to art classes at outreach projects around London, where he forged new friendships, most importantly with fellow artist Bill Dennison and Jaime Bautista, director of SMart Network, both of whom – in Westren’s words – showed him that he might be ‘worthy of someone’s attention’.

This exhibition has been made possible due to the thousands of people around the world who saw the value of George’s work and were touched by his story, and especially those who bought prints that helped fund this project. Special thanks also go to the Westren family, SMart Network and the Ten Feet Away art group at Union Chapel, Islington, London.

ABOUT GEORGE WESTREN

Born in February 1947 to working-class parents in Ilfracombe, a seaside town in North Devon, George Westren always felt like an outsider. When he left school at 16, short lived careers in plumbing and the RAF presented challenges to his shyness and low self-esteem. Over the next 30 years, he sank into addiction and homelessness. Then, in 1999, a friend encouraged him to attend an exhibition of Bridget Riley’s work at the Serpentine Gallery in London, where he had a wake-up call. With a new motivation to overcome lifelong inhibitions and seek help for addiction, within a year Westren had secured a small housing association flat in East London. This respite from the dangers of rough sleeping allowed him to diligently create a portfolio of precise and sophisticated op art illustrations which he continued building for the rest of his life. Westren’s love for art took him to art classes at outreach projects around London, where he forged new friendships, most importantly with fellow artist Bill Dennison and Jaime Bautista, director of SMart Network, both of whom – in Westren’s words – showed him that he might be ‘worthy of someone’s attention’. Westren, like so many others during the COVID-19 pandemic, died at home, in Spitalfields, in June 2021.

ABOUT ALAN WARBURTON

Alan Warburton is an artist living and working in London. Alan was a downstairs neighbour to George Westren for many years. In June 2022, Alan interceded to rescue the artworks of George Westren following the clearance of Westren’s home. Alan has since worked with the family of George Westren to secure the future of the works for the family and to curate this presentation of a selection of the works to the public.

About

The New Black Vanguard features 15 international Black photographers contributing to a new vision of the Black figure and reframing representation in art and fashion. This exhibition is a celebration of Black creativity both in-front of and behind the camera. Featured works include Black stylists, models, make-up artists and creative directors who are bringing a radically new set of references and experiences to image making.

The New Black Vanguard is curated by American writer and critic Antwaun Sargent who explores a new aesthetic of Black portraiture while examining the cross-pollination between art, fashion and culture in the making of images.

“This exhibition is an exploration of this generation’s Black image makers who are bringing fresh perspective to photography. Image by image, they have created a loose global network around their art that powerfully centres identity, community and desire. The artists in this show profoundly reanimate the possibilities of contemporary photography.” – Antwaun Sargent

The New Black Vanguard presents artists whose vibrant portraits and conceptual images fuse the genres of art and fashion photography in ways that breakdown long-established boundaries. The Images open up conversations around the representation of the Black body and Black lives as subject matter. Collectively, the works celebrate the Black creativity. Seeking to challenge the idea that Blackness is homogenous, the works serve as a form of visual activism delivered by emerging talents who are creating photography in vastly different contexts – be it in New York or Johannesburg, Lagos or London. The results – often made in collaboration with Black stylists and fashion designers – present new perspectives on the medium of photography and the notions of race, beauty, gender and power.

#THENEWBLACKVANGUARD

FEATURED PHOTOGRAPHERS
Campbell Addy
Quil Lemons
Daniel Obasi
Arielle Bobb-Willis
Namsa Leuba
Ruth Ossai
Micaiah Carter
Renell Medrano
Adrienne Raquel
Awol Erizku
Tyler Mitchell
Dana Scruggs
Nadine Ijewere
Jamal Nxedlana
Stephen Tayo

Also including additional works by:
AB+DM (Ahmad Barber and Donté Maurice), Djeneba Aduayom, Lawrence Agyei, Rasharn Agyemang, Araba Ankuma, Bafic, Daveed Baptiste, Malick Bodian, Kennedi Carter, Jorian Charlton, Christian Cody, Faith Couch, Delphine Diallo, Rhea Dillon, Philip-Daniel Ducasse, Christina Ebenezer, Yagazie Emezi, Justin French, Alexandre Gaudin, Erica Génécé, Kenny Germé, Denzel Golatt, Yannis Davy Guibinga, Travis Gumbs, Tyrell Hampton, Seye Isikalu, Adama Jalloh, Manny Jefferson, Kreshonna Keane, Ekua King, Joshua Kissi, Casper Kofi, Olivia Lifungula, Myles Loftin, Mahaneela, Ronan Mckenzie, Tyra Mitchell, Fabien Montique, Sierra Nallo, Manuel Obadia-Wills, Travys Owen, Amber Pinkerton, Marc Posso, Caio Rosa, Silvia Rosi, Lucie Rox, Makeda Sandford, Cécile Smetana Baudier, Justin Solomon, Texas Isaiah, David Uzochukwu, Juan Veloz, Isaac West, and Joshua Woods.

EXHIBITION SUPPORTER

The New Black Vanguard at Saatchi Gallery is generously supported by Burberry.

Burberry
ORGANISED BY

The New Black Vanguard is organised by Aperture, and made possible, in part by Airbnb Magazine and Tasweer Photo Festival, Qatar.

Serpenti Metamorphosis by Refik Anadol presented by Bulgari embark on a new chapter with award-winning media artist and director Refik Anadol. After last year’s success with their exhibition and digital experience in Piazza del Duomo in Milan, it is London’s chance to celebrate the second chapter of Serpenti Metamorphosis.

Bulgari will present an immersive experience with Refik Anadol’s artwork representing its most famous icon, Serpenti for the first time ever. It will kick off a momentous milestone, the 75th anniversary of Serpenti, to be celebrated in 2023.

Serpenti collection is Bulgari’s most emblematic icon. It first appeared in 1948 under the form of stylish bracelet-watches crafted with the famous tubogas technique that became an instant success. Seducing and adorning the most quintessential actresses in the 50s and 60s, such as Elizabeth Taylor, it quickly became one of Bulgari’s most desirable and recognisable signs, which over the years has been able to renew and evolve itself in an unstoppable and fascinating metamorphosis that continues to the present day.

Bulgari and Refik Anadol will bring visitors through an immersive journey. The unique AI developed by the artist and director will take explorers through the infinite intricacies of an ever-changing snake, showcasing its continuous rebirth and evolution complimented by sounds and smells synonymous with Bulgari’s finest fragrances.

Machine learning algorithms trained on more than 200 million images of nature result in a mesmerizing visualisation of an alternative reality of nature that mimics its textures, recalling the snake evolution, a new take on the meaning of Metamorphosis.

As evocative premise to Refik Anadol’s experience, the setup is enriched with Bulgari Serpenti archival images and sketches in dialogue with the creations on display that will fittingly illustrate the unceasing evolution of the icon and its deep connection with the women’s universe.

It will be brought to the tangible world by an exclusive selection of Serpenti pieces complimenting the exhibition, from heritage jewellery and horology pieces dating back from the 1940’s, right up to the present day with the latest high jewellery creations of the Roman jeweller.

From the most stylised models of the beginning, to the animal variants with polychrome enamels and precious eyes, until the cool, graphic charm of Viper; Serpenti will tell the story of a multi-faceted sign that has always been able to be in sync with fashion and social trends of female emancipation.

ABOUT BULGARI

Part of the LVMH Group, Bulgari was founded in Rome in 1884 as a jewellery shop. Known as the magnificent Roman jeweller and master of coloured gems, Bulgari has established a worldwide reputation for Italian excellence and enjoys renowned for its exquisite craftsmanship. The company’s international success has evolved into a global and diversified luxury purveyor of products and services, ranging from fine jewels and high end watches to accessories and perfumes, and featuring an unrivalled network of boutiques and hotels in the world’s most exclusive shopping areas. Demonstrated through its numerous philanthropic partnerships, Bulgari deeply believes in innovating the present for a sustainable future through its commitment to Corporate Social Responsibility and giving back – to nature and to the community.

ABOUT REFIK ANADOL

Refik Anadol (b. 1985, Istanbul, Turkey) is a media artist, director and pioneer in the aesthetics of data and machine intelligence. His body of work locates creativity at the intersection of humans and machines. In taking the data that flows around us as the primary material and the neural network of a computerized mind as a collaborator, Anadol paints with a thinking brush, offering us radical visualizations of our digitized memories and expanding the possibilities of architecture, narrative, and the body in motion. Anadol’s site-specific AI data sculptures and paintings, live audio/visual performances, and immersive installations take many forms, while encouraging us to rethink our engagement with the physical world, its temporal and spatial dimensions, and the creative potential of machines.



Celebrate Black excellence both in front of and behind the camera with ‘The New Black Vanguard: Photography between Art and Fashion’: Showcasing 15 of the most influential Black fashion photographers working today. Also including additional works by over 50 Black creatives.

This is your opportunity to see ‘The New Black Vanguard’ plus 5 incredible shows whilst enjoying a sparkling wine, beer or soft drink.

Featuring an ‘in conversation’ discussion with two of the exhibition’s photographers Mahanella and Amber Pinkerton, plus free drop-in figurative drawing workshops.

Members enjoy free entry & drink token, and do not need to pre-book. Access to Ground Floor Galleries included within your ticket.

Limited tickets available.

Saatchi Gallery in collaboration with East London gallery Jealous are proud to present Modern Landscapes. The show is open 21 October – 21 November 2022 within one of the main gallery spaces at London’s iconic Saatchi Gallery. Public admission will be free.

This solo exhibition, by British artist and long time Radiohead collaborator Stanley Donwood shows of never-before-seen drawings and iconic Sacred Landscape paintings made produced for Glastonbury Festival.

Featured in the exhibition are colourful Sacred Landscapes based on hybrid cartographical and topological forms. They explore the ancient landscapes that surround mysterious sites such as Stonehenge, Wayland’s Smithy and the Cerne Abbas Giant, amongst many others. These are not mystical, New Age depictions as such but rather brash, bold colour field interpretations showing centuries-old field boundaries, trackways and paths.

In these works, the English countryside has been scooped up and dropped into California and drenched in psychedelic drugs and the bright pigments that are derived from petrochemicals.

In contrast the Modern land drawings are monochromatic, quieter, more reflective. They , and present a perfect yet sombre counterpoint to the Sacred Landscapes, showing the ancient being transformed by the modern.

The Modern land drawings are the aftermath.

These large drawings have been scrawled, torn and sometimes scratched into heavyweight paper with soot, charcoal, graphite and chalk to create a brutal contrast.

Unlike the Sacred Landscapes, which turn the ancient, mysterious landscapes of England into a loud, raucous celebration, the soot and charcoal melancholy of Modern land is what remains…

Presented by Contemporary Art Academy, DELTA GAMMA is an exhibition of works created by recent academy alumni.

Reflecting the globalnature of online education, DELTA GAMMA showcases 35 contemporary artists from Ireland, Isreal, the Netherlands, Russian Federation, Taiwan and United Kingdom

Artists

Kiera Bennett, Hannah Blunden, Catherine Chinatree, Gabriela Cohen, Sian Costello, Lupen Crook, Zavier Ellis, Mathew Gibson, JUlie Goldsmith, Keziah Greenwood, Lisette van Hoogenhuyze, Sam Jackson, Agnes Jarek, Kate Knight, Elizabeth Langford, Sophie Mason, Jim McLean, Mac McNaughton, Sharon McPhee, Lieve van Meegen, Dean Melbourne, Peter Monkman, Emily Moore, Issi Nash, Ayelet Amrani Navon, Daria Neretina, Mark Perry, Tom Platt, Josh Rowell, Sabrina Shah, Jayne Anita Smith, Sarah Spencer, Kirsty Stanton, Jason ChungTang Yen, Maddie Yuille

About Contemporary Art Academy

Contemporary Art Academny is a new online educational initiative co-founded by artist and formerElephant Academy manager Matthew Gibson (Griffin Art Prize, Elephant Lab residency progrramme) and artist curator Zavier Ellis (CHARLIE SMITH LONDON, THE FUTURE CAN WAIT, PROJECT PAPYROPHILIA, Young Gods, Ukraine Support Pledge). The academy’s objective is to deliver exceptional and affordable online art education provided by leading contemporary art world professional.

An international collective of artists shine a light on the 10 million people currently experiencing food insecurity around the world. Exhibited works probe the relationships between food and conflict, and aim to explore the notion of eating amidst social and political turmoil globally.

The Forbidden Journey is presented by the UK-based non-profit art initiative Food of War, a Multidisciplinary Art Collective dedicated to explore the relationship between food and conflict through art.

Featuring paintings, sculptures, installations and performances, The Forbidden Journey explores questions about food availability, access and consumption in regions impacted by conflict. Included within the exhibition are works that explore projects that have focussed on Chernobyl in Ukraine, the Colombian Amazon; and also the United Kingdom.

The retrospective brings together a diverse selection of contemporary artists whose works aim to highlight how food is impacted by issues such as nuclear threat, bee and insect decline, and food insecurity as a shared experience. The Forbidden Journey includes contributions by artists Marina Abramović and Raul Marroquín as well as works by other Food of War members.

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